Techno’s extra-diegetic improvisations are linked architecturally to Detroit’s landscape of industrial modernism, in all of modernism’s productivist, futuristic, environmentally toxic, and racially exploitative dimensions.

What is the point of teaching dystopian science fiction when actually living something just as terrifying? Reflecting on the last year in Lebanon, this essay argues for the pedagogical power of sci fi in thinking through the country’s popular uprising, economic implosion, pandemic, and port explosion.

When therapy is transferred online due to COVID-19, and bodies no longer meet in person, the space of the psychoanalytic consulting room is unsettled: distance, risk and intimacy are negotiated anew.

What is strikingly novel in Signs in the Dust are Lyons' efforts to articulate and ground attempts to overcome the nature-culture binary by way of theories of signs found in the writings of three medieval and early modern thinkers. The scholastic semiotics of these three figures provides Lyons with the metaphysical means to find even in the very dust a physio-semiosis, or genuine exchange of signs.

Rather than attempting to bind the subject to a new fantasy or fiction, Liquidation World encourages its readers to think through the subject as a material entity organized by what Nathan Brown has called a “logic of disintegration” (Brown). In doing so, Kukuljevic ends up forgoing relations of identification in favor of participation—not with an idea but with the empty, meaningless matter that cannot be thought—except with the peril of thoughtlessness.