What is the point of teaching dystopian science fiction when actually living something just as terrifying? Reflecting on the last year in Lebanon, this essay argues for the pedagogical power of sci fi in thinking through the country’s popular uprising, economic implosion, pandemic, and port explosion.
What is strikingly novel in Signs in the Dust are Lyons' efforts to articulate and ground attempts to overcome the nature-culture binary by way of theories of signs found in the writings of three medieval and early modern thinkers. The scholastic semiotics of these three figures provides Lyons with the metaphysical means to find even in the very dust a physio-semiosis, or genuine exchange of signs.
Rather than attempting to bind the subject to a new fantasy or fiction, Liquidation World encourages its readers to think through the subject as a material entity organized by what Nathan Brown has called a “logic of disintegration” (Brown). In doing so, Kukuljevic ends up forgoing relations of identification in favor of participation—not with an idea but with the empty, meaningless matter that cannot be thought—except with the peril of thoughtlessness.
China has experienced enormous economic growth over the past four decades, with the rising tide affecting urbanites and villages alike—albeit vastly unevenly. However, times are changing, with the nationally declared economic slowdown lapping at the door. Drum Village finds itself at cross roads: heavily reliant on coal mining and primary industry, the economy of the region is in decline.
This collection of short, largely spontaneous responses, edited by Angharad Closs Stephens, seek ways of responding to this event that refuse the ‘imaginative geographies’ of ‘us’ and ‘them’ (Closs Stephens), as well as other familiar framings through which this event has become known, but all nevertheless note the very difficulties of addressing ‘Charlie Hebdo’ otherwise, and in ways that refuse the ‘languages of terror’ (Ferreboeuf) in particular.
This paper takes work by Bruno Latour as the starting point from which to critically examine conceptual moves needed to develop a formulation of voice appropriate for an expanded environmental politics which expresses the interests of human and nonhumans alike.
Ever since its disappearance in the mid-19th-century, the fate of the ‘Franklin expedition’ has attracted interest and intrigue. In this article, we conduct a side-by-side examination of two sites: the 1845 Franklin expedition in the Northwest Passage and the 2017 Death in the Ice exhibition at the National Maritime Museum in Greenwich, UK.
This paper by Tim Edensor and Thomas SJ Smith draws on a case study of Achill Henge, County Mayo, Ireland, to examine the interplay between economic crisis, rebel creativity and shifting geographies of commemoration.
I consider current reuse debates from a subcultural perspective, of inner-urban living in the late 1970s and 1980s. With the assistance of autoethnography, I delve into this urban subculture, known for its reliance on Do-It-Yourself.
Drawing on semi-structured walking interviews with 24 residents of a new coastal housing development in southern Sydney, Australia, the paper examines how coastal conditions and elements accelerate material decay, inciting and directing everyday homemaking practices: both proactive, in material selection, and reactive, in cleaning, repairing, maintaining, and replacing.
Writings that critically engage the ongoing conditions of coloniality and its effects. Entries in this section may also speculate on intellectual, political and organizational tactics that work to resist coloniality, colonization and colonialism’s effects in the present.
Examines the evolving social, ecological, cultural and geopolitical impacts of energy systems and resource extraction, with particular emphasis on the spatial relationships that structure the extraction, production, distribution and consumption of energy and other natural resources and raw materials
Chronicles past, present, and potential impacts of technoscientific development on the production of space. Provides critical looks into how scientific disciplines and industries influence how we analyze, categorize, experience, interpret, navigate, and represent that which we call space.
Investigates the spatial implications of the mass production, consumption, and disposal of digital media. Core areas of study include the environmental impacts, industrial landscapes, infrastructures, political transformations, social activities, and subjectivities particular to the digital age.
Charts the role that maps and various other forms of geo-visualisation play in the production of space. Offers a critical forum for investigating older modes of cartographic representation as well as newer approaches to big data and the politics of algorithmic and other data-driven processes.
Investigates relations between policing (narrowly and broadly understood), incarceration, and the production of space and spatial knowledge. Borders, criminalized neighborhoods, detention centers, heavily securitized areas, internment camps, jails, prisons, rendition sites, and the spatial relations that they rely on and produce are explored as sites of power and subversion.