We open the histories and contemporary terrors of war dust, its afterlives in motion, hyperactivities, and indestructible forms in cities to scrutiny. In its destructive potential, invisibility and durability dust haunts cities, their pasts and presents, erasing and generating urban subjects and subjectivities.
The stadium is indispensable to the management of urban life on an increasingly volatile planet. The material conditions that produced the stadium lay the groundwork for which it becomes ready-at-hand to contain, discipline, and house bodies that have become otherwise unmanageable.
Who is ‘the Settler’? What does this category animate and what does it bely? Despite the vast scholarship on histories of settler colonisation, the complex figure of the settler remains largely taken for granted. This lends itself to a banal decolonial politics that urgently requires critique.
The essay captures some aspects of urban violence in Lebanon and constructs their spatialities. Stories of struggle and creative coping strategies amidst the multiple crises in Lebanon constitute ‘living archives’. They expand the meaning and imaginaries of everyday life, link between a shared past and present reality, and transform the urban space.
As a perspective and a praxis, Red Natural History urges those of us who take the side of the common to see ourselves as part of the storm that arrives from the past, not to produce chaos, but to rupture the status quo, draw capitalism’s structural violence and injustices into the open, and orient our struggles for a livable and egalitarian future for all.
NAA is working with Indigenous and non-Indigenous theorists, historians, ethnobotanists, geographers, landscape architects, artists, and activists to define and organize around a counter-tradition of natural history, a Red Natural History, which sees the world not as a wealth of natural resources available for possession or profit, but as a world in common that cannot be enclosed. This first text situates this inquiry within NAA’s history of practice, telling the story of how we came to believe it is necessary to name and organize around an alternate tradition of natural history. The second delves into the question at hand, sketching out our collective’s provisional definition of Red Natural History.
Though not an exhaustive list, these are many of the main areas we cover.
Writings that critically engage the ongoing conditions of coloniality and its effects. Entries in this section may also speculate on intellectual, political and organizational tactics that work to resist coloniality, colonization and colonialism’s effects in the present.
Examines the evolving social, ecological, cultural and geopolitical impacts of energy systems and resource extraction, with particular emphasis on the spatial relationships that structure the extraction, production, distribution and consumption of energy and other natural resources and raw materials
Chronicles past, present, and potential impacts of technoscientific development on the production of space. Provides critical looks into how scientific disciplines and industries influence how we analyze, categorize, experience, interpret, navigate, and represent that which we call space.
Investigates the spatial implications of the mass production, consumption, and disposal of digital media. Core areas of study include the environmental impacts, industrial landscapes, infrastructures, political transformations, social activities, and subjectivities particular to the digital age.
Charts the role that maps and various other forms of geo-visualisation play in the production of space. Offers a critical forum for investigating older modes of cartographic representation as well as newer approaches to big data and the politics of algorithmic and other data-driven processes.
Investigates relations between policing (narrowly and broadly understood), incarceration, and the production of space and spatial knowledge. Borders, criminalized neighborhoods, detention centers, heavily securitized areas, internment camps, jails, prisons, rendition sites, and the spatial relations that they rely on and produce are explored as sites of power and subversion.