Daniel Agbiboa's 'They Eat Our Sweat' is a vivid ethnographic portrait of informal transport in Lagos, providing us with a vantage point to understand the experiences of corruption and informality in everyday urban life.

In Cartographic Memory, Juan Herrera carefully and elegantly examines Chicano movement activism and its legacies in Oakland, California’s Fruitvale neighborhood, and argues for measuring social movements’ impact in a manner that foregrounds the production the brick-and-mortar achievements of community organizations, as well as the networks of support, solidarity and care that those sites and landscapes continue to facilitate.

Miraftab invites planning scholars to rethink the field’s futures, rejecting the currently dominant bully urbanism centered on profit, for a humane urbanism centered on life.

Who is ‘the Settler’? What does this category animate and what does it bely? Despite the vast scholarship on histories of settler colonisation, the complex figure of the settler remains largely taken for granted. This lends itself to a banal decolonial politics that urgently requires critique.

What if instead of an age of automation we are currently living through the dawn of a new era of exploitation?

Codes are written over decades of crisis in the built environment. Therefore, codes are inherently citationary and subject to citationary politics, and all architecture under code is citationary.

Cripping infrastructure refers to an analytical practice that politicizes the relationship between disabled bodyminds and infrastructure, excavating how… infrastructure’s world-making capabilities can be utilized to materialize crip alternatives.

As industrial livestock operations further embed technologies in production, both animals and humans alike face a reality where technology increasingly shapes their existence. How can we understand the impact of these technologies?

A decade after Japan’s 3.11 triple disaster, what kind of social forms and futurities have Fukushima’s treated water enabled or disabled? In what ways has Fukushima’s treated water as infrastructure made and remade material worlds and life worlds?

Today, there is a movement to re-enclose the creative commons, turning creative outputs into financial assets. NFTs imagine a world where having an immutable record of ownership transfers is substitute for the flow and remixing of ideas. It is a static approach to a dynamic world.