When the enormous drapes that had been covering a new building in central Melbourne were thrown off in early 2015, an extraordinary sight was revealed: a colossal image of a face staring down the city’s civic spine. This moment of unveiling marked a fascinating moment for Indigenous–settler relations in Australia, but especially urban, densely settled Melbourne.

This paper considers the significance of the newly conceived Canada Infrastructure Bank in relation to the political economy of settler colonialism in Canada. I argue that the Canada Infrastructure Bank is a fundamentally colonial institution that marshals private capital to reproduce and extend the jurisdictional power of the setter state.

Rather than seeking to characterize any individual ontology, we focus on the limitations of silencing diverse ontologies, and on the potential of embracing ontological plurality in water governance.

We present an analysis of Tlingipino Bingo, which is the latest iteration of our on-going experiment to work with performance as a means of translating and transforming scholarly work to generate more informed and nuanced public debate about migrant labour.

This paper considers how notions of beauty and performances at pageants transform as they move across different colonial times and spaces. It examines how gender, racial, and sexual subjectivities take shape among cisgender Filipina women who participate and organize community-based pageants on the traditional and ancestral territories of the Musqueam, Skxwú7mesh, and Tsleil-Waututh peoples (Vancouver, Canada).

In Uqsuqtuuq (Gjoa Haven, Nunavut), we worked with Uqsuqtuurmiut (people of Uqsuqtuuq) on local priorities of caribou and well-being.