rt allows me to think and create freely. To bring out the essence of what I'm drawing in revolutionary ways, and unlock my imagination to the vastness of possibility. In my daily fight for survival, freedom and peace I like to reshape the theories and practices of political prisoners and revolutionary thinkers before me. I'm grateful to creativity for allowing space for my mind and spirit to be free, although my body is captive. Art is liberation.
Lawrence Jenkins is a political prisoner (Free Lawrence Movement), co-creator of Liberation Media Northwest, and business owner for Blackseed Consulting. He teaches art, history, and sustainable agriculture inside/outside of prison.
Through analyses of interviews with developers, industry professionals and law enforcement as well as published statements, this article offers a detailed examination of how the function and premises of ‘data-driven’ policing are altered by this turn to epistemologies of risk. I argue that the latent presence of ‘disorder’ supplements visible aberrations of ‘order.’
This paper focuses on surveillance technologies that New York City landlords have been installing in low-income, public, and affordable tenant housing over the last decade. It looks at how new forms of biometric and facial recognition-based landlord technology automate gentrification and carcerality, reproducing racist systems of recognition and displacement.
Guided by a prisoner’s narrative of escape from a Guatemalan prison, evasion, exile, and re-capture, this essay brings the phenomenon of prison escape into conversation with carceral geography’s exploration of essential connections and reflections between the prison and other social, institutional and geographic spaces, highlighting how multiple actors and forces beyond the carceral state collude in fixing vulnerable bodies in place.
cholars and practitioners of urban planning need to rethink the field’s futures at this important historical juncture: some might call it a moment of truth when there is little left to hide. The COVID-19 pandemic exposed many cracks, contradictions, and inequalities that have always existed but are now more visible. This also includes the global vaccine apartheid that is ongoing as I write these words. Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.
What’s a Rich Text element?
Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.
Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed.
Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real.
They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining.
I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.
What’s a Rich Text element?
Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.
Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed.
Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real.
They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.
What’s a Rich Text element?
Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.
What’s a Rich Text element?
Moreover, this is a time when the violence through which U.S. imperialism has exercised power worldwide is increasingly exposed. Protests in the summer of 2020, which spread all over the United States like fire through a long-dried haystack, showed Americans and the whole world that racialized violence and police brutality are real. They also revealed that such brutality is spatially facilitated in American apartheid—a condition that planning has been far from innocent in creating and maintaining. I think this reckoning is particularly important in the United States, the belly of the beast, where there might have been more of an illusion about planning innocence.
What’s a Rich Text element?
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Untitled artwork by Lawrence Jenkins
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rt allows me to think and create freely. To bring out the essence of what I'm drawing in revolutionary ways, and unlock my imagination to the vastness of possibility. In my daily fight for survival, freedom and peace I like to reshape the theories and practices of political prisoners and revolutionary thinkers before me. I'm grateful to creativity for allowing space for my mind and spirit to be free, although my body is captive. Art is liberation.
Lawrence Jenkins is a political prisoner (Free Lawrence Movement), co-creator of Liberation Media Northwest, and business owner for Blackseed Consulting. He teaches art, history, and sustainable agriculture inside/outside of prison.
