This paper considers how notions of beauty and performances at pageants transform as they move across different colonial times and spaces. It examines how gender, racial, and sexual subjectivities take shape among cisgender Filipina women who participate and organize community-based pageants on the traditional and ancestral territories of the Musqueam, Skxwú7mesh, and Tsleil-Waututh peoples (Vancouver, Canada).
Drawing on Lefebvrian notions of diversion and appropriation, I argue that the concepts of contingent and makeshift sacred spaces bring more nuanced and complex understandings of the intertwining of sacrality and profanity in spatial formations. Discussion is grounded in the case study of Muslim worshippers’ sacred spaces in rural western Wales; their relatively small demographic profile means that there is a reliance on short-term arrangements in the absence of long-term, privately owned and controlled sacred spaces.
Harnessing textual analysis and an interview, the paper unpacks the protocols established to organise information sharing and explores how such protocols interweave an assemblage of technologies to share information as emergencies unfold.
I consider current reuse debates from a subcultural perspective, of inner-urban living in the late 1970s and 1980s. With the assistance of autoethnography, I delve into this urban subculture, known for its reliance on Do-It-Yourself.
Drawing on semi-structured walking interviews with 24 residents of a new coastal housing development in southern Sydney, Australia, the paper examines how coastal conditions and elements accelerate material decay, inciting and directing everyday homemaking practices: both proactive, in material selection, and reactive, in cleaning, repairing, maintaining, and replacing.